Post by Daniel on Mar 2, 2015 9:22:50 GMT -5
It seems that books in a series generally outperform standalone books, so I've been thinking lately about different ways to approach a series. I'm curious to know what others have tried or heard about.
So far, I've come up with the following...
1. Predetermined number of volumes and predefined series arc
This is the classic approach to a trilogy or any other -logy where you know in advance how many volumes there will be, and you have a plan for a series arc that concludes in the final book.
2. Standalone volumes set in the same story world with the same main character(s)
A lot of thriller and detective series seem to take this approach. You may have threads that start in one book and end in another, but those threads are not essential, and reading the books out of order is not a problem.
3. Undetermined number of volumes with a multi-volume series arc
This is the approach I'm taking with my Western Fantasy. The main character deals with one main crisis in each book, but all of those crises derive from the same source. You can "tie off" the series at any time by publishing a story that concludes the series arc for better or worse. The Sherlock Holmes stories were individual tales, but the battle against Moriarty was a common thread that tied them together and brought the series to its conclusion. I think it was Russel Blake who most recently got me thinking about this approach with his "many lines in the water" theory.
4. Undetermined number of volumes with strong plot ties from one story to the next
This approach seems to be the rage right now with novella and novelette series. The books often end in a cliffhanger that gets resolved in the next book, which ends in a cliffhanger that gets resolved in the next book, and so on. In a sense, the author has written an incomplete story that is finished in the next volume, which also begins a new incomplete story.
Does anyone have other examples? Please share them!
ETA: Oops. Forgot an obvious one that my wife uses...
5. Undetermined number of volumes set in a common story world but with different main characters.
Many romance authors use this approach. The individual stories are set in the same story world, but each story focuses on different main characters. Characters from previous volumes often make cameo appearances. The series may or may not have a common plot thread that connects them all in sequence.
So far, I've come up with the following...
1. Predetermined number of volumes and predefined series arc
This is the classic approach to a trilogy or any other -logy where you know in advance how many volumes there will be, and you have a plan for a series arc that concludes in the final book.
2. Standalone volumes set in the same story world with the same main character(s)
A lot of thriller and detective series seem to take this approach. You may have threads that start in one book and end in another, but those threads are not essential, and reading the books out of order is not a problem.
3. Undetermined number of volumes with a multi-volume series arc
This is the approach I'm taking with my Western Fantasy. The main character deals with one main crisis in each book, but all of those crises derive from the same source. You can "tie off" the series at any time by publishing a story that concludes the series arc for better or worse. The Sherlock Holmes stories were individual tales, but the battle against Moriarty was a common thread that tied them together and brought the series to its conclusion. I think it was Russel Blake who most recently got me thinking about this approach with his "many lines in the water" theory.
4. Undetermined number of volumes with strong plot ties from one story to the next
This approach seems to be the rage right now with novella and novelette series. The books often end in a cliffhanger that gets resolved in the next book, which ends in a cliffhanger that gets resolved in the next book, and so on. In a sense, the author has written an incomplete story that is finished in the next volume, which also begins a new incomplete story.
Does anyone have other examples? Please share them!
ETA: Oops. Forgot an obvious one that my wife uses...
5. Undetermined number of volumes set in a common story world but with different main characters.
Many romance authors use this approach. The individual stories are set in the same story world, but each story focuses on different main characters. Characters from previous volumes often make cameo appearances. The series may or may not have a common plot thread that connects them all in sequence.